PROJECT DETAILS
Indian National Trust For Art And Cultural Heritage (INTACH)
Plot no. 71, Lodhi Estate, New Delhi Click the photograph to view LARGE
Client, INTACH
Principal Architect , Balkrishna Doshi , M/s Stein Doshi & Bhalla (A)
Project Designer , Rajeev Kathpalia
Architecture : Avinash Naik, Manish Doshi, B.N.Panchal, Suresh Shah, Apurva Virani
Structure, S. Roy Chowdhary, Stein Doshi & Bhalla (D)
Services , Sanelac Consultants
Construction Management Consultant : HK Yadav
Site Area, 2352m2 [size 49m x 48m, area]
Total Built-up Area, 2342 m2
Project Cost , Rs. 3 Crores
Occupants
INTACH is an autonomous, non government organisation. The trust was established in 1984 to promote the cause of natural, cultural and architectural heritage of India. The proposed building for the trust was required not only to provide for its administrative offices but also to become a resource centre and an open house for the dissemination of information, spreading awareness and promoting issues pertaining to heritage and conservation. INTACH has 60 persons distributed between basement ground and part of the first floor. The second and part of the first floor is rented to other organisation which have a strength of about 45 persons.
Goals
The mandate of the programme coupled with the buildings site location, which en faces 15th Century monuments and contemporary institutions, posed an interesting challenge. It set the ground rules to evolve an idiom that could harmoniously bridge across time while reconciling the aspirations of milieus many centuries apart.
Resolution
Delhi is a city of overlapping ears, the earliest existing alongside the contemporary. The older city has an order which is inclusive of built and unbuilt, each mutually reinforcing the other. Its opposite is seen in New Delhi where the buildings are free standing objects in park land, thereby not only dissipating the unbuilt urban space but also consuming greater energy and maintenance for their upkeep. A pattern repeated in the contemporary Delhi.
The INTACH Headquarters is located in Lodhi Estate an area set aside for some of the premier national and international organisations in the country. Despite our admiration for many of the surrounding buildings it was the environmentally wise pattern and grain of the old city which we followed. More than any other place it is the bazaar of Chandni Chowk and the Nahar e- Faiz which encapsulates the image of the old city. The Nahar e Faiz (the canal of plenty) had run through Shahjhanabad, along streets around and through buildings and squares, culminating at the Chandni Chowk (The moonlight Square). In the area of Chandni Chowk the canal provided a place to gather within the bustle of the bazaar. The canal which connected buildings to surroundings, was a utility and a beautiful a narrow canal cutting through a courtyard type building in the tradition of the canal and the bazaar. As the brief was developed and site planning explored the canal was transformed into a pool. With a pool as its base, the outdoor space which was originally conceived of as a courtyard slowly transformed into a space something akin to the void within a baoli, the water well of Delhi. This suggested other elements, the gathering place and the winding stair.
The well of the central court reinstates the spatial organisation of the local traditional built form. With a cooling pond as its base the form of the court induces thermal movement of air. This creates a favourable micro climate within the court and cools the interior of the spray; apt for an organisation dealing with the protection and reinstatement of ancient culture in modern world. This archetypal courtyard while providing a strong focus for movement, light and ventilation within the building also provides space for the institutions large number of public activities. In this schema of centre and periphery, the play between the core and the edges is used as a device to shape a range of spaces, varying in size and scale, within the building. It accommodates a diversity of programmatic functions such as administration, library, exhibition areas and seminar rooms. The absence of beams in this flat concrete structure add further to the flexibility of this form, by allowing variation, change and future subdivisions to these spaces. The shift in between the core and the edges also orients the courtyard core and the entrance to the historic Lodhi Plaza a civic space into the core. This layering of diagonal movement axis within the building frames the hovering dome of the Lodhi monument in the distance in unusual vignettes. While to the public in the Lodhi Plaza at the rear will be visible within the courtyard of INTACH, a large mural celebrating and reinstating the heritage of India.
The land borrowed from the earth for the building is returned back in the form of several terrace gardens. The largest being the roof terrace with its high parapet walls, pergolas, built in tiled seats and plantation, an offering to the sky. A place for gatherings and celebrations at the twilight hour and a place for festivals in the winter time. An open air room which not only commands grand views of the Lodhi Garden and its monuments across but provides insulation and passive cooling to the building.
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