|
PROJECT DETAILS The project brief, handed over to us was as enigmatic as Osho himself. After having submitted five to six alternatives, all of which were rejected by Osho, he sent us a big, thick book with a photograph, the size of a postage stamp, on the cover, with the instructions, "Osho has asked you to see this photograph, think, and then design our buildings". Accompanying this was a small slip of paper on which was written : Black, Black and Black. The photograph was of a barn shot at sunset. It was very dark and there was just a little bit of a blue halo around the building. This was all that was given to guide us in interpreting the requirements of design. The brooding, black pyramidal forms conceived by Hafeez were radically different from anything he had done before, the design for the commune being a simple cluster of four buildings, relying on form and color for impact. The pyramids act both as a perceptive experience and as a symbol ( the immediate perception of an image plus its mental associates ). Black embodies all the colors, harnesses cosmic energy and the pyramid is the most stable form. If these all black pyramids suggest rising energy and an indrawn meditative posture, then the blue tinted glass windows and skylights symbolize enlightenment : blue being the first color one perceives on enlightenment- the halo of life. The solid pyramids are large meditation halls with smaller halls below them. Structurally each pyramid was conceived as a shell element resting on peripheral beams in turn resting on RC columns. The basic plan measured 16.75m x 16.75m and the pyramids were at an angle of 53.4 degrees, with the horizontal. There are six rectangular openings and one that is triangular. Stiffener RC beams are provided near the edges of openings, and the ridge lines of the pyramids are stiffened with MS channels. A dirty municipal nallah on the site has now been converted into a lively water body with landscaping all around, providing a beautiful setting to the mystical pyramids. |
|
|
|